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Streaming promotions
Increase the visibility of your music with our customized streaming promotions. We help you place your songs on relevant playlists and attract new listeners. Reach a wider audience and maximize your success on platforms such as Spotify, Apple Music and more. We understand the needs of musicians and bands. Our goal is to provide you with the tools and resources you need for your creative journey. Trust our expertise and let us work together to realize your musical visions.
Up to 10 songs promoted on a radio show and Spotify Playlist over a period of 2 months.
Analog & digital mastering including mixing of your song.
You will receive your mastered song in 48000 kHz 24-bit, 44100 kHz 16-bit, and MP3 formats. Higher resolutions are possible, but depend on your original recording track. Your song takes part in a free radio show.
MASTERING EXEMPLES
Studio equipment
Discover our carefully selected range of used studio equipment. From mixing consoles to microphones and effects units, we offer you professional tools at affordable prices. Each piece of equipment is tested by us to ensure the highest quality and functionality. Discover our current range of used studio equipment. Here you will find high-quality equipment at fair prices, ideal for your home studio or professional recording studio.
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Tascam M-2524 24-channel / 8-bus analog multitrack mixer Mixer
The Tascam M2524 is a 24-input, 10-output mixer designed primarily for electronic music applications. It can be used as a main console or as a submission desk in a recording system. The M2524 has four effect sends and returns (2 stereo and 2 mono), enabling it to be connected to four effect devices. A MIDI-addressable inhibit system enables channels to be activated and deactivated on command, either from the top panel or from an external MIDI device. The SOLO function lets you concentrate on one input at a time. Each channel has a 3-band EQ, and as each channel has 40 db gain in the preamp and trim control, low-level sources - even microphones and mics - can be connected to the M2524. Each input has a direct output socket for connection to external transmitters or directly to a multitrack recorder. -
Fostex Model 2016, 16-channel line mixer in 2U rack format. It has some scratches and the usual wear and tear, but is fully operational and functional. Delivery is free of charge.
This is a 16-channel mixer with the ability to split into two separate stereo mixers if required. It accepts line-level signals only, and its input sensitivity is suitable for a wide variety of applications, from basic keyboard submixer to dedicated effects monitor mixer.
16 front-panel jack inputs. 16 RCA-type rear inputs. 2 stereo line buses. 4 auxiliary busses. 4 auxiliary returns. 2 stereo line outputs. 4 auxiliary outputs. -
Simply put, the HP6E is a high-quality, powerful, flexible and reliable 6-channel headphone amplifier in a rugged 1-HE-19" compatible metal housing. The HP6E brings many improvements over the HP6, including better frequency response, an improved amplifier, digital control of input selection and a fifth mixing input. Built-in flash memory saves the last operating setting for all channels, saving time in the studio for more important tasks. The HP6E's flexible design allows the four input signals to be routed at will to the six Class A headphone amplifiers. A fifth stereo signal can be mixed into each of the headphone channels. This ensures a wide range of applications, such as studio and live monitoring, in-ear mixing and more.
Features:
6 Class A headphone amplifiers
10 jack inputs, 5 stereo channels (unbalanced)
per headphone amplifier, up to 5 stereo channels can be listened to simultaneously
Flash memory restores last setting
2 jack outputs (Link function)
Mix Control for each amplifier output
THD 300 mW less than 0.2%
Nominal output 32 0hm 600 mW per channel
Frequency response 100 mW 20 Hz - 20 kHz +- 0.3 dB
Integrated power supply. -
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Manufacturer : Teac
- Model: A-2300 SX
- Type: Coil stereo
- Year of manufacture: 1976 - 1978
- Made in : Japan
- Color: silver / black, wooden sides
- Remote control: yes, RC-120 wired remote control
- Power consumption:
- Dimensions: 440 x 392 x 210 mm (WxHxD)
- Weight: 18 kg
◦ Dust cover TZ-220: 3,500 yen, 60 DM
◦ RC-120 cable remote control: 10,500 yen, 160 DM
◦ Device holder: CS-420: 11,500 yen, 170 DM
Inputs:
◦ Microphone: 0.25 mV (0.6-10 K-Ohms) -.
◦ Line: 100 mV (50 K-Ohms)
◦ Radio: 10 mV (47 K-Ohm)
- Outputs: ◦ DIN: 0.3 V 10 K-Ohm) -
◦ Line: 0.3 V (10 K-Ohm)
◦ Headphones: 0.05 V (8 ohms)
2 channels, stereo tape deck
- Max. length Coil diameter: 18 cm
- Drive type: 2 eddy-current winding motors and 1 synchronous hysteresis sound motor
- Head equipment: 1 recording head, 1 playback head, 1 Permaflux erasing head
- Tracks: 4
- Tape speeds: 9.5 cm/s, 19 cm/s
- Total frequency response:
◦ at 9.5 cm/sec: 30 - 20,000 Hz
◦ at 19 cm/sec: 30 - 28'000 Hz
- Crosstalk attenuation at 1 kHz in stereo mode: 50 dB
- Resting signal-to-noise ratio at full scale:
◦ at 9.5 cm/sec: 58 dB
◦ at 19 cm/sec: 58 dB
- Synchronization variations:
◦ at 9.5 cm/sec: ± 0.1%.
◦ at 19 cm/sec: ± 0.08%.
- Max. rate of change Deviation from mean speed :
◦ at 19 cm/sec: ± 1%.
- Deletion attenuation:
◦ at 19 cm/sec: 68 dB
- Premagnetization and blanking frequency: 100 kHz
2 VU-meters, frequency linear
- Individually switchable left/right backband control
- Individually switchable left/right recording
- Recording equalization and premagnetization switchable
- Individually adjustable left/right inputs and outputs
- Relay drive logic -